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Lil B:" Rain in england "(Weird Forest, 2010)




I had never heard of Lil B before falling on the latest list of Aquarius Records. My attention was instantly captured and offered excerpts completed phishing. With a name like Lil B, if I came across this artist before, I would surely discredited without really pay attention to his work and his approach . And I'd missed something really special.

Lil B's story is altogether unknown; rapper from Berkeley, California, aged 20, is part of a youth group called The Pack and invaded MySpace with a hundred different accounts. He also made a video with Soulja Boy, which has greatly contributed to make it known. But it is also very prolific on Myspace and Youtube Twitter, etc.. Lil B knows how to use social networks to their advantage and use them well.



A whole creative process behind his music and that is one thing that makes it highly interesting. Billing itself as "Based God", he named his artistic approach as "Based Freestyles. In his remarks, it seems that Lil B has always been that they saw as strange, odd group. He was being treated for "basehead" (synonym crackhead) by the people around him because of his strangeness. Only it was appropriate insult and diverted to his advantage, giving it a completely different meaning, a designation allowing him to name the character its unique approach. In so doing, it allows artistic freedom totally unbelievable. Many of his songs on Youtube are salacious and vulgar, deal with bitches, grills, firearms, but at the same time he treats himself fag and princess ...



Now he just released a fascinating disc on the label Weird Forest, which came out earlier this year the wonderful disc Mark McGuire (group Emeralds ) "Tidings / Amethyst Waves". On this disc, Lil B raps over layers of synthesizers, not beats. A disc New Age rap, directly linked with all the movement known as hypnagogic, closer musically by artists such Emeralds, O neohtrix Point Never Dolphins and in the Future . Based produced by The God, we can assume that it is he who has produced all the documents that make up this disc hovering. On 14 Songs, Lil B gives us his inner world, surprisingly, speaking on topics that allow very personal as to expose his philosophy of life. He talks about his fears, women, dreams, family ... It is by now an astonishing honesty, we are surprised to feel a voyeur. You may recognize the phrasing and images of Saul Williams or even Killah Priest on "Temple of the Mind." Most pieces are longer than 5 minutes and are free of refrains, which leads me to appreciate even more the approach of this atypical artist ...

Except that Lil B has not the voice of Saul Williams and his flow is monotonous and redundant after all. On some parts only he allows himself to sing wrong, but it appears as welcome in this together rather monochrome. The musical composition is a bit redundant, based largely on notes held in the manner synthesizer drones. Still, this album is mesmerizing. It fascinates me more and more, especially in listening About Lil B, which seems to oscillate between improvisation and text within a single song. I found myself interested in the path of inspiration and association of ideas and especially how it connects the images. He himself says he tries to let his unconscious through his freestyles (hey hey, it reminds me of someone) and it is indeed rich enough that we get lost momentarily. For I doubt if even the side of the thing entirely improvised, as it would be entitled to clashes and lapses interesting. Although some parts are delivered at a rate closer to the spoken word, which can facilitate the sequence of words and ideas, improvised or not.

short, I like Lil B. I love when an artist is not confined to an image and can do what he wants, what he really wants.

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Speech by the General Assembly of the Union Address

ladies and Mayors,

is a great pleasure for me to be here with you, mayors of our municipalities Nivernais, because we share the same commitment to serving our citizens and our territories.

Allow me, I am sure first to greet our friend Robert LECAS who has so graciously welcomed.

He kindly quote the circuit and I thank him. The circuit and its major events, such as the World Superbike Championship which takes place this weekend is inseparable from the science park which includes 24 companies with exceptional through motorsports in all national events and international.

Nowhere, neither in Le Mans, Le Castellet there is no such pole.

It is no coincidence that the Car Show which opens its doors, industrial techno, Luc Marchetti, presents a new model of electric vehicle! Already with the Andros Trophy is a pioneer.

Next week, a delegation will go to Nevers show him our support.

I do not want to conclude these introductory remarks without mentioning our agriculture here and pay tribute to our farmers that I know the difficulties. They know they can count on our support. Citing

these economic issues, I salute Francis PATRIAT always present with us, and particularly attentive to our concerns.

Thanks Francis for your unwavering support.

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Masayo Asahara: Saint Agnes Fountain (Audiolaceration, 2005) German Oak



Deception, parade ...

It was under these themes as this album proves intriguing and remarkable. The liner notes are recording and the composition of this work in 1974. Masayo Asahara was then studying at Osaka University and completed a Ph.D. on American minimalists like LaMonte Young and Tony Conrad . Under the influence of groups like Faust and more rock Soft Machine, she decided to record one of his compositions fusing minimal music and more progressive rock.

ensued one of the best records I listened to this year, composed of organ drones interspersed with tape manipulation and increased by a healthy dose of free jazz. I rarely got his hands on a disc that incorporated both different genres of music that I like. Notice to all: it is incomprehensible that this disc has not slipped into obscure music charts for years 70. Incomprehensible because quite simply sublime.

The story is still well put together with only a few copies "test press", distributed to musicians and friends, and eventually fade into oblivion. The musicians are named on the cover, contemporary history is recounted Asahara, a photo of her at Stonehenge ... From the beginning the table is set to drool all collectors and fans of the genre, my first.

But a quick search on the internets tells us that we were cheated. It is rather a very contemporary work, composed in 2002 by a certain Martin Archer The man behind the label of improvised music Discus English. There is also a musician who failed to quench the free-jazz and electro-acoustics. He recently released a duo CD with vocalist Julie Tippetts garnering rave reviews. Nevertheless, it emerges with the feeling of having done wrong.

For Lacan, love is the result of a deception in which we can convince the other that it has what it lacks, therefore, give what one does not. This dynamic is exemplified beautifully with this disc by Martin Archer and the feeling that he instilled in me at first was just as fascinating than falling in love. Did not I already said that my research and my search for love drives are closely related? It is even more true that not taking back my life is not the music of the disc, but any image that surrounds it.

also on the cover, we have a canvas dating from 1450 by the painter Jean Fouquet . It is part of a diptych famous and represents the Virgin Mary suckling the child Jesus surprisingly chubby (and older). This is one of the few representations of the Virgin, where she reveals the whole of one of her breasts. The story goes that he would rather be a portrait, that of Agnes Sorel first official mistress of a king of France. It would have died at the age of 28 years and recent research suggests it has probably been poisoned by mercury. It is strange that a portrait of the Virgin Mary is actually inspired by a woman who is anything but virgin ... The work actually is surely not what it seems. This diptych was commissioned by a certain Stephen Knight, who was "very close" to Agnes Sorel and also his executor. Perhaps it is a hoax. Presumably Knight as a lover close to Agnes and the only way for him to possess the mistress of the king was to order his portrait and nobody suspected. Besides angels and cherubs that complement the painting are all busy looking elsewhere.