More music exciting. Discs that I mention in this blog accumulate at breakneck speed and I am very late in their listening and their digestion. In addition, new entries abound and I had to make a list for not forgetting. At the top of my list for nearly a month, was "New Slaves".
I remember last year as part of the Suoni per il Popolo, I moved to the Sala Rossa to see the spectacle of Chris Corsano and Six Organs of Admittance. This show was announced relatively soon and the word they were going to start on time. I am therefore arrived a bit early to finally learn that another group was added, and had already begun. I have been able to catch the last minutes of the set of a group called New Yorkers Zs A final piece still interesting , an investment circular stage, saxophone, guitars and drums and finding in the crossfire of noise-rock heavily influenced by free jazz. I could also witness the most intense beats hands on the thighs from the saxophonist. It was loud, heavy, intense, and it drew from all sides. I hesitated to buy one of their cd and finally have abstained for lack of means.
ago few months, the label The Social Registry has released the new album Zs, entitled "New Slaves". Percussive, noise, free, wildly intense ... The adrenaline rush to follow one after the other, to create a highly participatory listening to a disc iconoclast.
Zs have created a work interstellar tinged electronics exploded, distorting that moves in space-time, going to borrow some dyed with Krautrock's rhythmic type motorik ", inspired by the free- jazz, noise and even the metal barrier time in the intensity of the guitars électriques.Dans space travel, son of electrical high-voltage tension are everywhere as pitfalls distracted dedicated to travelers who listen without paying attention. When contact is such that the discharge is easily repelled. However, listeners more attentive and focused will maneuver the obstacle course in sound and recognize the beauty of this disc. A large hard, brutal, urban, experimental, rooted in current music that have left their mark uncompromising music.
Using the distortion is great on the saxophone, Sam Hillmer is probably not the best play, but his game is gaining in intensity so that he manages to give us the flesh chicken especially during the twenty minute title track. Fortunately parts are quieter create a breach in this crazy storm. Thus, the superb "Masonry" just give us a moment's rest gently and the two pieces that close the disc "Black Crown Ceremony I & II" are more successful, the drums are almost absent and there is drag in a universe much more ambient. Dark, but ambient. Finally, the hype seems to impress me hands that end up on the play "Acres Of Sin", a rhythmic song amazing.
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